How To Sing Like James Hetfield

How To Sing Like James Hetfield

Grit, Distortion, Range and “YEAH!” are all words you could use to describe James Hetfield’s unique and powerful singing voice. As the towering frontman of 80’s thrash metal legends Metallica, James was blessed with a powerful and extensive range that can be very tricky to approach for other singers – but with these 10 tips to sing like James Hetfield, songs like Master of Puppets or Sad But True no longer needs to be a struggle.

Learning how to sing like James Hetfield takes time, practice and dedication to building a strong voice, so lets get started with 10 tips to sing like James Hetfield.

10 Tips To Sing Like James Hetfield

The first thing you need to learn about singing like James is that singing with distortion and grit IS possible, and it CAN be achieved without strain or tension – so if you’re pushing and yelling to hit the high notes in Dyers Eve, then you’ve taken a wrong turn somewhere along the way in your vocal journey. Never fear, let’s fix it and get you yelling “YEAH!” and “OOOH!” and “I AM THE TABLE!” at the top of your lungs… without tension or strain.

#1 – Support and Compression

Breath Support often seems like a mystery to many singers, but it’s pretty easy in practice. Support in singing really refers to the balance of airflow vs air pressure, with an unsupported tone leaning towards airflow, and a supported tone leaning towards air pressure, which comes from sustained engagement of the diaphragm instead of letting your posture and breathing collapse as you ascend or hold a phrase.

#2 – Release Tension

Learning to release tension so you’re not shouting and yelling when you hit those powerful highs is paramount to singing like James Hetfield. Have you seen the …And Justice For All tour footage from 1989? James is just standing there casually with that wicked, vicious voice spewing venom without the slightest hint of tension. Learning to sing without strain and tension is extremely important if you want to sing a full set of Metallica songs and keep your voice healthy and strong.

#3 – Vowels and Articulation

Most likely without realising, James was a natural at creating vowel sounds in the right way. Speech pronunciation and properly articulated sung vowels are very different – with speech sounds often created using the articulators (the teeth, tongue, lips etc), and a vowel in singing created by the shape of your tongue and adjoining resonant space. There’s a reason why guys like James and Chris Cornell don’t struggle and strain to hit the highs, and it really has more to do with the way they sing their vowels than any natural gift of range.

#4 – Balance (Bright and Dark)

Just like many great ‘Tallica songs, singing itself is a balance between light and dark. The “darkness” in singing is the vowel located at the back of the head, that slightly classical sound you hear in many well trained singers. The “bright” is a forward placement which then gives you bite and power for those rapid fire and vicious lyrics.

#5 – Distortion

Grit and distortion like James uses with ease are actually very easy to achieve if you’re using the right approach. Distortion comes from excess compression and strong support – by slightly ‘holding’ in the glottis itself, you can create highly pressurised air that then rattles and grinds with the overtone of distortion that we know and love.

#6 – Range (Resonant Space)

An extension of your vowels, you can develop a higher range by allowing resonant space in the pharynx by raising the soft palate and altering the shape and length of the vocal tract itself. Do you even try to hit a high note and you ‘choke off’ or completely flip to falsetto? That’s due to a lack of resonant space. Learn to sing your vowels properly and create resonant space for a killer range that is as endless as it is powerful.

“Kegan, I would like to inform, that recently You joined to my fav vocalists/musicians along with Chris Cornell, Layne Staley and James Hetfield. ❤”

You’ll hear resonant space in James’ voice when he sings higher notes in songs like Master of Puppets – “Crumbling Away” becomes a very open AH vowel on crumbling, and an open AY vowel on away. By learning to create and manage your resonant space, you will be able to sing with an extensive range.

#7 – Finesse

Developing a balanced onset will allow you to sing effortlessly and consistently, even for very long sets and shows. Every single element of the voice can be linked to balance in one form or another, and every issue you experience can be traced back to a lack of balance. A fantastic singer isn’t necessarily a ‘strong’ singer, they’re actually a ‘balanced’ singer.

#8 – Consonant grouping

James was never one to mince words… or slur them either. You can clearly hear every single word that James sings, no matter what range or style he was using at the time. This comes from consonant grouping, which to some comes more naturally than others. A great example of this is the quintessential Hetfield “YEAH!” – if you try this yourself, no doubt the “Y” consonant is very difficult and probably uncomfortable in your throat. Now, if you try it again but replace the “Y” with a pure “EE” vowel, like “EE-EAH!”, you’ll notice how flawless and easy it can be to sing consonant sounds when you make slight adjustements such as the one I’ve just shared with you. Try it yourself; W can be replaced by OO, R and L can partially be built from an OO as well, a Y is an EE and your plosive sounds like P and B are actually interchangeable.

#9 – Pitch and intonation

James might not have been the world’s most classically trained singer, but he was always perfect when it came to pitch! Pitch comes from the frequencies that you create, not from what you hear. This is why practicing scales all day long will never improve your pitch, but specific tonal and frequency exercises will perfect your pitch almost instantly.

#10 – Stylistic Choice

All in all, James was a great singer, and naturally so. One of the most important aspects of James’ voice that make Metallica such a classic and timeless band is the stylistic choice he employed throughout the various era’s of Metallica’s history – from the high range and bright timbre of Ride the Lightning and Master of Puppets, the gruff and percussive power of … And Justice for All, the powerful melodies and harmonies of the Black Album, bluesy tone and vocal lines of the 90’s on Load and Reload, yelling over a trash-can snare for St Anger, right back to a more classic Hetfield style on their later ‘return to roots’ records, albeit with less grit and distortion. Developing your own personal style as a singer really will make you stand out from the pack!

Learning how to sing like James Hetfield takes time and practice, but it’s absolutely possible with the right approach and a pragmatic approach to singing techniques like vowels, support, articulation and resonance – all of which James was a master of (puppets).

A great place to start with learning how to sing like Papa ‘Het is this exclusive singing lesson, designed specifically for singers like you who want real answers to your questions, and practical techniques and tips that will help you sing the songs you want to sing, in the WAY you want to sing them.

Bohemian Vocal Studio’s Foundation 101 Singing Course is also legendary for the way it cuts through all the crap and simply teaches you how to sing, just look at just a small amount of the spectacular feedback and reviews the course is receiving right now:

 Kegan is the master of vocal training… period – Derek (2019)
 I recently bought your course and I can feel the resonance/placement into my head and it’s super cool – Alec (2018)
 If you want to sing rock or blues… THIS is the guy! – Mau (2016)
 Wow! I find this tool very useful – Vesna (2018)

 Sessions with Kegan has helped my use my voice in way that I always dreamed! – Ivan (2018)

Foundation 101 will put the keys to your voice and the keys to your own singing progress and continued success in your own hands, and allow you to make continued progress and gains, and best of all you can work through the course at your own pace and take your time to perfect the voice of your dreams. If you want to sing like James Hetfield, Foundation 101 is a great place to start!

If you have any questions about learning to sing like James Hetfield, feel free to leave any feedback or questions below!

Chest voice vs Head voice – POWER UP your high range

How to sing higher with ease

If you’ve been following along with my lessons here at Bohemian Vocal Studio, it’s likely you’re now able to sing into your middle register and even sing head voice and hit your higher range. But how to we take that light, weak “heady” sound and POWER IT UP into an impressive high range with power? Building power into your high range can be done simply by following my steps-based approach to healthy singing technique like so:

Set up your foundation – Breathing!

Without a solid foundation, your voice will lack power and be a breathy mess. You need to learn how to engage your diaphragm to breathe with, control your air pressure and air flow, and learn how to create a RESONANT sound rather than a breathy sound. Here, I recently put together a video on how to breathe using the diaphragm

When you’ve learned how to engage your diaphragm properly so that your tone is resonant, bright and healthy, you can then start developing your middle and head voice into a more POWERFUL singing voice.

Develop your middle voice

I can’t reiterate this point enough – if you want to sing with Head Voice vs. Chest Voice and improve your head voice, you first need to understand how to sing your MIDDLE or MIX VOICE in a controlled and healthy way. Head voice isn’t a ‘destination’ that you get to when you’re singing high, it’s something your transitioning towards with middle voice. So, if your voice is breaking, or you sound breathy – it’s likely that you’re singing TOO HEAVY in your low range and TOO LIGHT in your high range! You should be releasing into middle voice BEFORE your first vowel position, and you should be transitioning towards head voice rather than ‘flipping’ up into it. It’s important that your voice stays ‘assertive’ as you ascend in range so you’re not getting weak and breathy.

Here’s another video I’ve put together on building power in your middle and higher range:

On a side note, If you dig this new video series, you can subscribe to my YouTube channel by watching the video above through to the end and clicking on the icon in the bottom left.
Learn to control your closure

Understanding how to control your vocal cord closure, or ‘adduction’ as it’s known in classical singing technique, is where we’ll start to build POWER in your head voice without straining or pushing. You’ll see in the video above that my head voice is SUPER LOUD and actually makes my camera distory from sheer resonance – but you’ll notice I’m completely relaxed and singing in a very controlled way. I’m not “pushing” volume out of my vocal chords, I’m relaxing into a released resonance that builds with cord closure.

The best way to learn chord closure is by starting LIGHT and releasing into a resonant crescendo like I’ve shown you in the above video. This will build the resonance and also develop strength throughout your whole range – chord closure is an absolute MUST if you want to have a powerful head voice.

Combine your techniques

There’s no single technique that is going to improve your range or give you a killer rock tone. It’s actually a combination of all the above techniques working together to control every aspect and connect all the ‘moving parts’ of your voice into one succinct and connected sound without breaks and without strain. To POWER UP your head voice and sing with increased range and resonance in your high range, you need to work on these techniques:

  • Diaphragmatic Breathing
  • Middle Voice
  • Vowel Positions
  • Practical Vowel sounds
  • Frequency Control
  • Placement
  • Diction & Delivery
  • Cord Closure

If you’re struggling with any of these technique, you can ask me a question in the ‘leave a reply’ box below and we’ll work on it together. If you’re ready to take your voice to the next level, you can book a Skype session with me personally by clicking on the booking calendar to your right in the sidebar.

Conclusion

Building power in your high range requires control over every other aspect of your vocal technique, from the foundation of our breathing, right through to cord closure and frequency control. Take it one step at a time and build from the ground up without skipping ahead to the advanced techniques before you’ve built your foundation. If you have a low voice like me, you’ll also benefit from checking out my recent video on increasing your range when you have a deep voice:

Can you power up your head voice yet? If you’re ready to start building your own powerful voice that has all the range you could ever need and tons of POWER, book a session with me in the booking calendar to your right and I’ll show you how it’s done!

Feel free to leave any questions or feedback below!