How To Sing Like James Hetfield

How To Sing Like James Hetfield

Grit, Distortion, Range and “YEAH!” are all words you could use to describe James Hetfield’s unique and powerful singing voice. As the towering frontman of 80’s thrash metal legends Metallica, James was blessed with a powerful and extensive range that can be very tricky to approach for other singers – but with these 10 tips to sing like James Hetfield, songs like Master of Puppets or Sad But True no longer needs to be a struggle.

Learning how to sing like James Hetfield takes time, practice and dedication to building a strong voice, so lets get started with 10 tips to sing like James Hetfield.

10 Tips To Sing Like James Hetfield

The first thing you need to learn about singing like James is that singing with distortion and grit IS possible, and it CAN be achieved without strain or tension – so if you’re pushing and yelling to hit the high notes in Dyers Eve, then you’ve taken a wrong turn somewhere along the way in your vocal journey. Never fear, let’s fix it and get you yelling “YEAH!” and “OOOH!” and “I AM THE TABLE!” at the top of your lungs… without tension or strain.

#1 – Support and Compression

Breath Support often seems like a mystery to many singers, but it’s pretty easy in practice. Support in singing really refers to the balance of airflow vs air pressure, with an unsupported tone leaning towards airflow, and a supported tone leaning towards air pressure, which comes from sustained engagement of the diaphragm instead of letting your posture and breathing collapse as you ascend or hold a phrase.

#2 – Release Tension

Learning to release tension so you’re not shouting and yelling when you hit those powerful highs is paramount to singing like James Hetfield. Have you seen the …And Justice For All tour footage from 1989? James is just standing there casually with that wicked, vicious voice spewing venom without the slightest hint of tension. Learning to sing without strain and tension is extremely important if you want to sing a full set of Metallica songs and keep your voice healthy and strong.

#3 – Vowels and Articulation

Most likely without realising, James was a natural at creating vowel sounds in the right way. Speech pronunciation and properly articulated sung vowels are very different – with speech sounds often created using the articulators (the teeth, tongue, lips etc), and a vowel in singing created by the shape of your tongue and adjoining resonant space. There’s a reason why guys like James and Chris Cornell don’t struggle and strain to hit the highs, and it really has more to do with the way they sing their vowels than any natural gift of range.

#4 – Balance (Bright and Dark)

Just like many great ‘Tallica songs, singing itself is a balance between light and dark. The “darkness” in singing is the vowel located at the back of the head, that slightly classical sound you hear in many well trained singers. The “bright” is a forward placement which then gives you bite and power for those rapid fire and vicious lyrics.

#5 – Distortion

Grit and distortion like James uses with ease are actually very easy to achieve if you’re using the right approach. Distortion comes from excess compression and strong support – by slightly ‘holding’ in the glottis itself, you can create highly pressurised air that then rattles and grinds with the overtone of distortion that we know and love.

#6 – Range (Resonant Space)

An extension of your vowels, you can develop a higher range by allowing resonant space in the pharynx by raising the soft palate and altering the shape and length of the vocal tract itself. Do you even try to hit a high note and you ‘choke off’ or completely flip to falsetto? That’s due to a lack of resonant space. Learn to sing your vowels properly and create resonant space for a killer range that is as endless as it is powerful.

“Kegan, I would like to inform, that recently You joined to my fav vocalists/musicians along with Chris Cornell, Layne Staley and James Hetfield. ❤”

You’ll hear resonant space in James’ voice when he sings higher notes in songs like Master of Puppets – “Crumbling Away” becomes a very open AH vowel on crumbling, and an open AY vowel on away. By learning to create and manage your resonant space, you will be able to sing with an extensive range.

#7 – Finesse

Developing a balanced onset will allow you to sing effortlessly and consistently, even for very long sets and shows. Every single element of the voice can be linked to balance in one form or another, and every issue you experience can be traced back to a lack of balance. A fantastic singer isn’t necessarily a ‘strong’ singer, they’re actually a ‘balanced’ singer.

#8 – Consonant grouping

James was never one to mince words… or slur them either. You can clearly hear every single word that James sings, no matter what range or style he was using at the time. This comes from consonant grouping, which to some comes more naturally than others. A great example of this is the quintessential Hetfield “YEAH!” – if you try this yourself, no doubt the “Y” consonant is very difficult and probably uncomfortable in your throat. Now, if you try it again but replace the “Y” with a pure “EE” vowel, like “EE-EAH!”, you’ll notice how flawless and easy it can be to sing consonant sounds when you make slight adjustements such as the one I’ve just shared with you. Try it yourself; W can be replaced by OO, R and L can partially be built from an OO as well, a Y is an EE and your plosive sounds like P and B are actually interchangeable.

#9 – Pitch and intonation

James might not have been the world’s most classically trained singer, but he was always perfect when it came to pitch! Pitch comes from the frequencies that you create, not from what you hear. This is why practicing scales all day long will never improve your pitch, but specific tonal and frequency exercises will perfect your pitch almost instantly.

#10 – Stylistic Choice

All in all, James was a great singer, and naturally so. One of the most important aspects of James’ voice that make Metallica such a classic and timeless band is the stylistic choice he employed throughout the various era’s of Metallica’s history – from the high range and bright timbre of Ride the Lightning and Master of Puppets, the gruff and percussive power of … And Justice for All, the powerful melodies and harmonies of the Black Album, bluesy tone and vocal lines of the 90’s on Load and Reload, yelling over a trash-can snare for St Anger, right back to a more classic Hetfield style on their later ‘return to roots’ records, albeit with less grit and distortion. Developing your own personal style as a singer really will make you stand out from the pack!

Learning how to sing like James Hetfield takes time and practice, but it’s absolutely possible with the right approach and a pragmatic approach to singing techniques like vowels, support, articulation and resonance – all of which James was a master of (puppets).

A great place to start with learning how to sing like Papa ‘Het is this exclusive singing lesson, designed specifically for singers like you who want real answers to your questions, and practical techniques and tips that will help you sing the songs you want to sing, in the WAY you want to sing them.

Bohemian Vocal Studio’s Foundation 101 Singing Course is also legendary for the way it cuts through all the crap and simply teaches you how to sing, just look at just a small amount of the spectacular feedback and reviews the course is receiving right now:

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Foundation 101 will put the keys to your voice and the keys to your own singing progress and continued success in your own hands, and allow you to make continued progress and gains, and best of all you can work through the course at your own pace and take your time to perfect the voice of your dreams. If you want to sing like James Hetfield, Foundation 101 is a great place to start!

If you have any questions about learning to sing like James Hetfield, feel free to leave any feedback or questions below!

What is Mix Voice and How do you Find It?

How To Sing In Mix Voice

Mix Voice occurs when you blend frequencies from your chest voice with frequencies from the head register, allowing you to sing with the extensive range afforded by your head voice while retaining the rich quality of your chest register at the same time. Mix Voice is often seen as the ‘holy grail’ of singing to many contemporary singers, but can be achieved very simply with a few adjustments to your vocal technique.

Mix Voice is simply a blend of frequencies, a literal “mix” of chest and head voice together. Many singers experiencing tension and strain when they sing, or are struggling to find their mix voice focus too intensely on the pronounced differences between the chest and head register rather than finding a common ground of frequencies where they can bridge and connect between either end of their range.

One of the most important keys to finding and developing mix voice is learning to first connect chest and head voice together so that you can sing without vocal breaks and voice cracks.

How To Connect Chest and Head Voice

Connecting chest and head voice is very easy to do, and can be achieved in a very short time with gentle semi-occluded sounds like a Lip Trill and with other small resonant sounds like N, M, NG, V and Z. Focusing purely on connection without agonising about your vocal tone is the best way to get started with building a bridge between the registers.

While singing a low note, you can identify the tonal centre of chest voice, whether it resides figuratively in your chest, at your teeth, the back of the head in the pharynx or otherwise – identifying your resonant focus for both your chest, and then head voice, is the key to developing mix voice. You can do the same thing with head voice by singing a pure head tone in your high range and identifying the tonal centre – most likely at the back of the head or between the eyes. Now, to achieve a blend of frequencies between your chest and head register, all you have to do is focus on both of these resonant centres at the same time and make both forms of resonance ‘ping’ together – instead of ‘handing off’ between your chest resonance and your head resonance, as you approach your first vocal break, simply focus more intently on your head resonance and you’ll notice a point of connection between both registers.

Over time, this ‘step’ between chest and head voice can be strengthened and elongated to cover a wider array of tones and range in your voice, allowing you to sing with a pleasant and powerful tone in your low range, while also retaining the depth of your chest register as you ascend up into the high range.

Mix Voice truly is one of the most important aspects of a great singing voice – have you found your mix voice yet? A great place to start is the special Mix Voice Lesson designed for singers just like you who are having trouble finding their mix.

By connecting chest and head first, you can then identify the tonal centre of your mix register and avoid any more breaks through your middle range. Mix Voice really is a killer tool that can be used in a plethora of ways to develop and maintain a powerful and impressive singing voice.

If you have any questions about developing mix voice singing technique, feel free to leave any feedback or questions below!