Mix Voice Booster

Mix Voice Booster

Welcome to Bohemian Vocal Studio’s Mix Booster course. In this premium course I’ll show you a step-by-step process for mixed voice singing and the key to finding middle voice, along with discussing the physical mechanics involved in mix voice singing in an extensive tutorial that features 4 exclusive video lessons. This booster course will share some of the most powerful mix voice techniques and concepts along with specially tailored mixed voice exercises that over time will allow you to sing with a powerful and pleasant middle tone and ultimately lead the path for developing belting technique too.

Mix voice itself is a central blend of resonance between chest and head voice that not only allows you to connect chest and head voice in a fluid way, but also allows you to retain the rich depth and pleasant tone of chest voice while making use of the extensive range afforded by your head register. Are you ready to find your mix? Lets get started. If you’re a premium member, you can log in below – otherwise, you can join us to access the mix voice booster here.

Lesson 1. What is Mixed Voice?

Mixed voice is a blend of chest resonance and head resonance. It’s a common misconception that chest voice is a ‘muscle’ and that head voice is a ‘muscle’. While there is a partnership between weight and tension in the TA and CT muscles, the thyroarytenoid and the cricothyroid which thicken and stretch the vocal folds respectively, these muscles do not directly reflect the form of resonance you are making use of. As an example, middle voice often uses partial contraction of the TA and partial use of the CT muscles – they are not exclusively linked to either register.

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If you have any questions about the exercises and techniques in the middle voice booster, you’re welcome to leave any feedback or questions in the ‘leave a reply’ box below.

Conclusion and Mixed Voice Examples

Mixed voice occurs when you develop a blend of both chest and head resonance at the same time through the middle of your voice – somewhat like a gradient. The biggest issues that many singers face with learning how to sing in mixed voice is the misconception that mixed voice is “high chest voice” and that it should retain the feeling of chest voice. Remember, chest voice isn’t a muscle – it’s a form of resonance’. A common issue that beginner singers experience is the expectation of a ‘shift’ between chest and head voice, or a ‘switch’ in the physical mechanism between weight and tension (the TA and CT muscles), when in actual fact their vocal break occurs due to shift in resonance between chest and head. By allowing appropriate resonant space through the middle of your range and using the tools and exercises. Using this booster along with the Vowel Translator and Consonant Guide will be an absolute game changer for your voice!

I’ll leave you with an example of middle voice singing in the following clip. Can you identify which BVS mix techniques and tools I’m using to access mix high in my range as a low baritone? Let me know in the comments below or in the video comments which ones you can hear!

If you haven’t already signed up to the free Foundation 101 singing course, this is a great place to start building a powerful and rock solid foundation for your voice. Foundation in singing really is like the foundation of a house, the concrete slab that your range and tone are built upon. When you’re ready to take your mixed voice singing to the next level, you’re welcome to book a Skype Session with me and we’ll work towards extending your range and developing a blend of resonance in your middle voice.

If you have any questions about the middle voice booster or how to sing in mixed voice, you’re welcome to leave any feedback or questions below!

Kegan DeBoheme is Bohemian Vocal Studio’s resident vocal coach and voice expert. He teaches professional singing and voice technique to students all around the world and enjoys providing tutorials like this one on how to improve your voice.

5 thoughts on “Mix Voice Booster

  1. Hi Kegan,
    The projection technique really worked for me and I’m able to hit notes effortlessly that were previously a huge effort! One question, I notice a dryness at the upper area at the back of my throat after singing this way. Could that be down to improper technique?

    1. Awesome Mike – that’s a great sign.

      Hm, the dry throat isn’t likely related to projection, and probably more to do with improper chord closure or even excess aspiration of air – remember how to set up posture and breathing?

      Let me know how it goes…


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