Can I Increase My Baritone Voice range?

How To Sing Higher As A Baritone

One of the biggest hurdles I personally faced as a fledgling singer learning how to navigate my beginner voice was the fact I was a low Baritone – my voice was just SO much lower than any coach I could find, and my vocal chords just didn’t seem to behave like my Tenor or female range coaches expected. I practised scales and tried exercise after exercise, and my voice simply didn’t do what it was told – until I realised that baritone voices require a specific approach to vocal training that simply isn’t taught by most singing teachers and contemporary singing courses.

If you’re tired of fighting against your baritone voice range, there really IS light at the end of the tunnel and unlocking your range really IS possible when you have an approach designed specifically for your voice type – and that’s exactly what I’m about to share with you.

For many years I also struggled to learn how to sing as a Baritone until I was introduced to this simple but effective process of elimination surrounding the common issues faced by Baritone singers in particular. Learning how to increase my baritone singing range has allowed me to become not only a well respected professional singer with a formidable range, but also sees me helping singers just like you all around the world to unlock their baritone voices.

“Kegan, I would like to inform, that recently You joined to my fav vocalists/musicians along with Chris Cornell, Layne Staley and James Hetfield. ❤”

What IS baritone singing range?

If you want the technical details – a recent study measuring the vocal fold length of various natural voice types showed that Baritone male singers low voices have LONGER and THICKER vocal folds than those of other male ranges or female voice types. In my experience, training a baritone singing voice can be a much more difficult process than that of a higher voice type, but ultimately results in a much richer and expansive vocal range. The phrase “It’s a tenor’s world” really only applies to relatively untrained singers. A singing voice is only a strong as the foundation it is build upon, and only expansive as the time and technique you have invested.

Now, in actual singing terms, the Baritone voice is lower in pitch, darker or boomier and rich in character and MUCH harder to train than a Tenor or Soprano, for example. To train the baritone voice range takes understanding of the vocal mechanism, the idiosyncrasies of actually HAVING this voice type yourself (like I do) rather than just telling a baritone to “sing better” when there is an inherent issues or characteristics that simply aren’t understood by singers in possession of a higher voice type.

How do you train the baritone singing range?

As a naturally low baritone myself, I’ve spent more than a decade researching and developing a steps-based approach to improving my own baritone singing range which has become an intrinsic part of my teaching tools as a professional vocal coach. Where higher voice types tend to resonate naturally in the nasal cavities, the baritone singing range often sits in the throat or vibrates deep in the chest due to slack and thick vocal cords, leading to a need to develop placement before other rudimentary vocal techniques like vowel modification can be introduced safely.

[one_third padding=”0 20px 0 0″][/one_third]The biggest issue I faced as a low baritone in my youth was actually the lack of resources out there designed specifically for my voice by someone who truly understood my voice type. Excess vocal fold weight and contraction are second nature to most guys with low voices – but often isn’t an issue diagnosed by contemporary coaches with higher voice types. This is no fault of theirs, they simply don’t understand the unique challenges that you face as a singer with a low voice – but that’s about to change!

As a baritone, you CAN sing in the Tenor range

The beauty of being a baritone is that you actually have MUCH more range and tonal control at your disposal than higher voice types – meaning you CAN learn to sing in the Tenor range, however, it takes a very DIFFERENT approach to the way a natural tenor would sing. Placement, Middle Voice and tuned vowels are integral to building your range while keeping a resonant and rich vocal tone without ‘flipping’ up into head voice, or worse – falsetto. Developing a connection between chest and head voice is the very first step that you need to take as a baritone singer to increase your range and break through the wall of strain and tension.

You MUST build these 5 techniques

To build the Baritone voice range, you first need to build a foundation or diaphragmatic breathing and healthy resonance – you can book a session with me in the calendar to your right if you’re ready to start building your foundation.

  • Placement – learn to control your frequencies by ‘placing‘ your resonance
  • Middle Voice – build the centre of your voice to do away with your vocal break
  • Vowel Tuning – This is a MUCH more efficient way of modifying your vowel sounds as you ascend
  • Breath Support – It’s not just about breathing with the diaphragm, you need to learn how to CONTROL your air too!
  • Release, release, release – All the powerful singing techniques in the world won’t help a voice that is ‘holding on’ to chest voice – connecting chest and head voice is actually very easy!

Most singing approaches aren’t made for the Baritone voice

This really was the most important thing I learned after so many years of taking both classical AND contemporary singing lessons myself – the reason it’s so hard for baritones like me to learn to sing is that most singing approaches weren’t designed for low voices. Placement and Middle Voice aren’t even something that need to be developed by most Tenors, but it’s an absolute cornerstone for a bass voice – and when a coach with a higher voice type says ‘Sing in the masque’, this is actually different to singing in correct placement. Placement requires you to LIMIT any excess frequencies that are occurring.

As one of very few professional baritone singing coaches out there who not only understands the baritone singing range because i AM a baritone, my steps-based approach to breathing, resonance, vowels, placement and diction has been developed with my low voice in mind and really DOES work for any voice type.

Find the right approach

Finding the right approach to singing is incredibly important. If your voice is struggling through the middle range, and your coach dismisses middle-voice as a technique – you’re not getting the coaching you need and deserve. The same thing with using vague analogies like “paddle like a duck under water”, “sing forward”, or “inhale while you’re singing” when the intention behind them is not made clear. These are all metaphors I heard when I first started learning to sing over 15 years ago, and only finally understood once I discovered this simple and effective approach to learning how to sing as a baritone – and ultimately how to teach singing to baritone singers like you and I.

Singing isn’t a one-size-fits all. Make sure you find a coach that understands your voice type and knows how to show you technique rather than just repeat metaphors and exercises they were once told or shown. A great place to start is this exclusive baritone singing lesson I have created just for your baritone voice, which will share with you the exact process I’ve used to take my baritone singing voice from a strained mess to an impressive and well respected range that you too can build with time!

Are you ready to stop straining and fighting your voice and start actually SINGING? Check out this exclusive baritone lesson for the approach I’ve used to help thousands of baritones just like you how to unlock their voices and increase their baritone range.

Feel free to leave any questions or feedback below!


  1. Wow, Kegan You have a very nice voice, I love your video tutorials and find myself doing it, lol! I will show all your videos to my daughter because at her age she loves singing and love videoke which she gets from the Philippines when we live there before. You are not just a good teacher, you are also a good singer. Keep it up!


    • Thanks so much Amie! Ha – yes, these exercises do also work for females and other voice types, not just Baritones like me! Let me know if you have any questions.

      All the best,


  2. Wow, legitimately interesting stuff you have here! I personally didn’t know a THING about singing before today and you’ve introduced me to a ton of new terms and now I’m interested. I’ll be back to check more of your content for sure, thanks for teaching me something worthwhile!

  3. Hi Kegan,

    I knew before about using the diaphragm but I was just blown away as to how much useful information and help that you have provided here.

    I used to sing a little bit when I was younger, pretty much to myself though while listening to music. I am now wondering what my singing range is, and maybe if it’s time to start singing again!

    • Hey Owain! You’re welcome – singing is simply a process of coordinating the various elements of your singing mechanism. With regular practice and the right approach, you’ll be able to extend your range higher than ever. Absolutely, it’s never too late to build your singing voice – hope this tutorial has lit the singing spark again for you!

      All the best,


    • A lot of misconception come by thinking that baritones sound always dark. That’s a mistake a lot of teachers do. Back in the days when I was a beginner, I used to sing with a dangerously high larynx position and with a strainy bright sound and teachers mistakenly thought I was a light tenor and that caused me a lot delay in the learning process. One day I was about to quit because after two years of training I realized that I even struggled to sing a standard baritone song, instead my fellow untrained tenors were able to belt a A4 with not so much trouble. Then I realized that I needed to stop rushing out and stop to ask too much by myself. The day I started to see myself as a baritone is the day where I really start to improve my singing. I started as a self taught to workout, vocalise and sing as a baritone. I improved my resonance, I can sing through my first passaggio without strain. Even if classifications are not so important in modern singing, one has to be aware of their natural vocal capabilities. A Thicker pair of vocal cords, such a low tenor, baritone and bass have less ability to stretch than a lighter pair of vocal cord. This is the only parameter to keep in mind when starting vocal training. Timbre quality is something more related to cavities. That’s why a baritone might have a bright sound (Thom Yorke is an example) . It’s the fastness of one’s vocal cord to stretch out that determines how much you feel comfortable singing in a higher range. Lots of singer may learn to sing a C5 while vocalising. But not everyone will sing an entire song around that note, at least not immediately and not with a Bruno Mars quality sound. That’s a fact!

      • Hence why Forward Placement (brightness in your tone) is a key aspect of The Four Vocal Fundamentals. Ability to stretch is actually not the limitation on your voice type, it’s largely character expectation and balance between the TA/CT that causes an issue with learning contemporary styles. But, agreed on other points.

  4. Hello Kegan, this is a nice post that you have put together. I wasn’t really aware of what a Baritone was until I came across your page, it was interesting to learn about it – I’m considering trying out singing thanks to your tips. I wonder, is every guy a Baritone?

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