Loading…

Breathing 101

Breathing 101 | Part 1

Welcome to Breathing 101 with Bohemian Vocal Studio – in this complimentary short course I’ll show you how to build a strong and healthy foundation for your voice by setting up the correct posture and engaging the diaphragm in the correct manner.

Each lesson will have a video like the one below. When you can nail the concepts and exercises I’ve shown you in each video, you can hit the “next” button below to view the next lesson. If you have any questions, or you’re having trouble with my approach – you’re welcome to ask me a question at any time by using the “leave a reply” box below.

Lets get started!

Kegan DeBoheme is Bohemian Vocal Studio’s resident vocal coach and voice expert. He teaches professional singing and voice technique to students all around the world and enjoys providing tutorials like this one on how to improve your voice.

12 thoughts on “Breathing 101

  1. It is amazing just how much posture and breathing affects your singing. I can remember my early days of singing – always running out of air hitting high notes or just simply not able to hit certain notes at all. This course has been a great help, thanks!

    It occurred to me how important breathing and posture are after listening to an interview with Elvis Presley and how his singing coach got him to hit some of his really high notes.

    Great video and tips!

    1. Thanks Dani! Absolutely – support is key to building a powerful high range and keeping your voice healthy.

      Let me know if you have any other questions about your voice!

      k

  2. Thanks for this great course! I did not know there was so much to breathing. It’s great you’re teaching everyone the correct way that would help a person while they sing.

    Are there more exercises I can do to so that it no longer requires the steps or too much thinking?

    1. Hey Bobby! You’re welcome. Absolutely, I’m working on an advanced breath support course as we speak.

      You’re welcome to book a session with me when you’re ready to power up your breathing!

      K

  3. When using my diaphragm and all, when singing where should my focus be when trying to go higher in pitch ? on my diaphragm muscles and push out high notes? or on my vocal chords. I don’t know where i should engage without straining myself. Help 🙁

    1. Hey there!

      Absolutely not – you should be holding ‘in’ your air to sing, especially in your high range, not forcing anything out.

      You should breathe using your diaphragm, then focus your ‘resonance’ above your top teeth/towards your nose, and try to resonate freely with a ‘buzz’ and no pushing or strain.

      Let me know how you go!

      K

  4. I love what you have going here! This is an amazing site for those who would love to learn breathing control and taking control of their singng! WOW just wow i’ve always had a passion for singing and was a tenor 1 in high school. Had to audition for royal chorale which is a select choir group for my high school years. It was just a wonderful experience and here i am listening to you do classes on it online is just amazing man! Good stuff man Keep up the wonderful work!!!

    1. Thanks for the kind words Victor! I’m sure you’ll regain that Tenor range of your youth with my tutorials – Let me know if you have any questions about your voice.

      All the best,

      K

  5. Kegan:
    I am a late deafened adult who is working with a classical voice teachèr, much as you described your first teacher. Quite wonderful, but very traditional.
    I got my head kicked in with motorcycle boots, trying to protect a girl. My teeth are canted inward, so that I have to pull my tongue in to close my mouth. If I try to close my jaws without moving my tongue, my tongue is sandwiched between my teeth, with a little hanging over the sides, like an extra generous hamburger.
    I feel strangled when I sing, and I wonder if even trying is hurting my voice because my range is steadily decreasing so that G#3 is my top note. When I started lessons, my high end was already a problem, and I was hitting F#4.
    Do you know if such a physical abnormality might inevitably cause damaging strain?
    Finally, could you add captioning to your videos? Lots of older singers don’t hear as well as they once did, it is more common than people realize.
    And thanks for all the well written text and the absence of troublesome pop ups. Some pages I make a point of clicking nothing, this page, I will be sure to click everything every time. Thanks again for your time and effort.

    1. Hi John!

      As long as there’s no damage to the actual vocal mechanism, the only thing that would be effected is really your resonance, which in turn yes may lead to straining by incorrect vowel choice and how you’re able to actually shape the vowels with your tongue. I’m no expert on such issues, so I suggest to see an ENT if you think there’s a bigger issue at hand, but otherwise this sounds more like a technique issue to me.

      I guess the question I would ask is about your approach – are you releasing as you ascend, or holding on to your chest resonance? Are you placing the resonance, or is it in your throat? Are you shaping each of your vowel sounds and matching your tract width for each sound? There’s a whole raft of technique and finesse issues which will cause the problems you speak of, not just physical limitations you feel there may be.

      As a side note, the tip of the tongue, the back of the tongue and the root of the tongue can all move independently. You should be singing with your mouth open and tongue shaped accordingly to each vowel sound, so again I can’t see this being a real issue 🙂

      Let me know how it goes.

  6. Hi am trying to learn i surrender by celine dion i can hit the notes perfectly but there is one bit that is has a really long note near the end of the song, but i run out of breath a few seconds before the note finishes, how can i do the note without getting breathless?

    1. If you are supporting properly, your airflow will be limited in place of a proper balance of flow & pressure instead. A great way to think of it is focus ‘down and outwards’ as you ascend/as you hold a phrase. The idea is to stop your ribs from contracting as you release air.

      Let me know how it goes!

      K

Leave a Reply

Want free singing lessons, tips & tricks?
Enjoy weekly tips, tricks and get the latest subscriber deals by joining our mailing list!