5 Closely Guarded Singing Secrets That Only The Pros Know

5 Closely Guarded Singing Secrets That Will Help You
SING LIKE A PRO

 

You’ve heard all the ‘common’ tips like breathing from the diaphragm, opening your throat – even yawning or smiling while you sing.

But we all know these are just throwaway tips that voice gurus use to hook you in like some sort of marketing fish-hook.

I know – because I used to buy this crap “hook in mouth” myself.

But over the last 20 years of developing my own singing voice, and now over a decade of my own coaching experience as a professional voice teacher – I’ve discovered that there’s a few key things that PRO singers know, and nail every time they sing; and everyone else who struggles to sing high notes with ease fails miserably at every time they sing.

There’s 5 pro singing secrets that are closely guarded by most voice gurus, and I want to share ’em with you so that you can move past the rut you’re stuck in and really start to see the growth we both know you so badly deserve.

I’m not going to waste your time with tips like “singing is really easy!” or “put your mind to it!” like you’ll find on almost every other singing tutorial out there on Google – these tips are the real deal from a real singer who’s been at this for decades.

#1 – Diaphragmatic Breathing Is About How You EXHALE

Told you these weren’t your regular “support from the belly!” tips you’ll see for a dime a dozen on Google or YouTube.

When it comes to practical application of diaphragmatic breathing and support while singing actual songs, not just doing breathing exercises, the most important key is actually how you EXHALE.

Meaning, a supported tone is really held on a steady stream of limited air. Read that again – steady stream of limited air.

This means that while yes, your airflow is limited and ‘compressed’, it’s airflow nonetheless – lose that airflow, lose your support.

The next time you sing a high note, focus on releasing a steady stream of air instead of trying to hold it back like you’re choking.

#2 – Vowel Modification is really Resonant Space Modification

Perhaps it’s semantics – but from your perspective as a singer who just wants to get BETTER at singing; learning to alter your resonant space is the true key to vowel modification.

So, when you sing a ‘vowel’ – it’s really not a speech word sound like you might expect your speech vowels; a, e, i, o, u in English to sound and occur. What we’re really talking about here is an overtone within your resonance, ie: a Formant.

As you ascend in range, the overtone surrounding this formant shifts and changes with the faster vibration of your folds/faster vibration of the frequencies within your tone.

So, the space that you resonate within becomes inefficient at a certain point to the frequencies that your ‘vowel’ is made with – meaning, you have to alter your resonant space and fold coordination like you’re sliding through a collection of tuning forks; or even like a gradient.

It’s easier than it sounds – what this video to learn how to do it; Big Dreams? You Need A Big Voice To Match

#3 – Placement is also a formant

While we’re talking about resonance, frequencies and formants – that’s exactly what that mystery “forward placement” that everyone keeps talking about really is; a specific frequency and tone that resonates in an efficient but powerful way when you sing.

The ‘forward’ in placement refers to the bright quality you get from singing into the bones of the face to bring the voice out of the throat; but it’s really a shift in your frequencies to resonate higher, even on lower notes.

A great vocal tone is a bright vocal tone no matter what register, style or voice type.

So, instead of literally trying to “sing forward” like you’re yelling out of your mouth – instead focus on that bright “singer’s formant” that you hear in your favourite singer’s voices; sitting high above the actual note they appear to be singing; Aretha Franklin, Chris Cornell, Bon Jovi, Layne Staley, Adele etc.

#4 – Tonal Intent is EVERYTHING.

I just did a video on this one, I suggest you watch it if you’re really serious about becoming a pro singer:

The reason that tonal intent is SO important to professional singers is because the voice is largely involuntary by nature – meaning, you can just “flex” your left vocal fold, or the CT muscle, or the vocalis, or the diaphragm; no, you need the right psychological and tonal intent to control these muscles and processes in a consistent and powerful way.

Ergo, when it comes to great singing; Tonal Intent is king.

#5 – Distortion is Tonal

When it comes to rock singing, distortion is often the “holy grail” of stylistic choice to many singers.

They clamp, they push, they grunt, they growl.

But what they don’t quite understand is that all good distortion is TONAL, not PHYSICAL.

Meaning, distortion is more like the breakup of a classic blues amp where vibration and resonance is overdriven to the point of distortion, or a specific frequency is distorted – not “physical” like the sound of tin can being dragged behind a car.

The distortion you hear in a GREAT singer’s voice is really a frequency thing, not a physical grinding of the vocal folds and the throat together.

You can try it yourself by experimenting with a cartoony “duck” sound – quack, quack, quack moving into wahwahwah as one fluid phrase while accentuating the bright, forward, slightly ugly sound of the vowel. If you get this sound just right, you’ll notice it “distorts” but you feel absolutely nothing in the throat.

There’s actually a TON of different sounds you can experiment with to create distortion – but the key here is to first understand that yes, distortion really IS a tonal/frequency/resonance thing rather than the sound of pennies rattling around inside a tin can.

At it’s essence, singing can be broken down into just three basic elements;

Airflow

Vibration

Resonance

Master these three basic mechanisms and you’ll be a POWERHOUSE singer before you realise what even happened.

And I’d like to help you make it happen, right here, right now with a super special freebie;

My super special “Mastering The Art of Singing” instruction manual.

^ This thing is seriously amazing.

You’ll get more from this guide that you’ll get out of most PAID singing courses.

I’ve had people telling me recently that I’m totally insane for giving this away for free – that I should be charging through the nose for this kind of insider info.

After all, any other coach of my ilk would just take your money, right?

But what point is learning a language if you don’t have the full alphabet? 

After all, that’s what singing is – a unique language of vowels, frequencies and resonance.

And for me to help you learn it better, and really EXCEL as a singer; you first need that alphabet.

I want to help you learn the language of great singing by give you a little something extra to help you get started.

In fact, a whole LOT extra.

Something HUGE.

All my training materials, all in one place – for free.

#1 – Mastering The Art of Singing

This guide is amazing.

Seriously amazing.

There’s more technique, training, insight and knowledge in this one little guide than in many paid training courses – and I’m simply giving it to you for free.

#2 – Vocal Quick Start Guide

I get it, there’s a lot of techniques and concepts to learn all at once in the masters guide, so here’s a footnote summary of everything you need to do to get started today, and how to do it.

If you’re confused about how to get started, or you’re having trouble pulling the trigger on a vocal approach, this guide is now your go-to manual for how to become a better singer.

#3 – Vowel Modification Cheat Sheet

This is what you’ve been waiting for – but noone else is ever going to show you.

Modifying your vowels is the key to extending your range in full voice with no vocal breaks, no flipping to head voice, no weakness and no strain – so it makes sense that most vocal coaches keep this powerful information close to their chest and are quite careful about how and who they share this with.

And I’m going to show you exactly how to do it in this vowel modification cheat sheet – again, completely free.

#4 – Invitation to special Vowel Modification Q&A

Phew! You’re really getting the works here.

Along with the incredible training guides I’m sharing with you, I’m also going to go out on a limb and invite you to my special Vowel Modification Q&A Training Session.

If you’ve got questions about how to sing vowels correctly – this Q&A has the answers.

Add your details below to receive the Mastering The Art of SingingVowel Modification Cheat Sheet and Vocal Quick Start guides and an invitation to my special Vowel Modification Q&A Training Session.

 

 

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